How Do I Disappear?
Cathy leaned across the table and finally opened her mouth.
"She's driving everybody crazy."
It was just the two of us. Everyone else had left the dining room. I had come down late, to avoid morning prayers, and I hadn't finished eating.
"I know it's awful to talk about her this way, after all she's been through, but it started before everything with Daniel and it's only gotten worse."
Cathy was a Southern Baptist from the Midwest. She spoke with the quiet excitement of someone who knew she shouldn't speak badly of a woman in mourning, but who could no longer control herself. She spoke with the sotto voce rapid-fire-ness of someone who was squashed quite a bit, and bored quite a bit, and not listened to quite a bit, and now had the knowledge, the info, the dish, the horrible tragic tale, and was serving it up to a stranger.
"And after all, it's herself who she's really hurting and someone should do something about it before it's too late. To be in such denial and such anger and then to take it out on all of us. And like I said, it's not just about Daniel, it started before that. And she's so mean to the Indians. You'd think she'd be more sensitive, being married to a Tibetan. I mean, it's not right, the way she speaks to them. We're here to build bridges and make friends and set a good example. The way she yells at them and bosses them --- oh, it's awful, and they talk about her, they talk about her behind her back, and our backs, and they just hate her. And with all that's going on in the world ---"
It was September, 2002.
"We're all going to be murdered in our beds. She'll take it too far and make someone angry and they'll use it as an excuse to murder us in our beds."
The day before, Islamic militants had entered the offices of a Christian aid organization in Pakistan and shot seven people.
Cathy knew the aid organization. She and her husband David had worked in Pakistan for many years, and Cathy had also lived in Pakistan as a child. She came from a missionary family and had grown up there and in India, though you never would have known, except for how well she spoke Hindi. Otherwise, she seemed just as adrift and American as the rest of the Southern Baptist missionaries staying at the Rokeby Guesthouse.
"Just the other day I heard her correcting Mr. Prakash on how he pronounced her name --- Mr. Prakash! Not John or Leela! Mr. Prakash ---"
Mr. Prakash being the proprietor of two stores and a hotel in Sisters Bazaar, the little village down the road, and reknowned all over North India for his homemade peanut butter. I'm not kidding --- if you told an Indian of a certain age and background that you had gone for a visit to Mussoorie, in the foothills of the Himalayas, you might hear them say, "Well, I certainly hope you went up to Prakash's Store in Sisters Bazaar to get some of that delicious peanut butter!"
I think --- for most of these Indians --- part of the appeal was that Mr. Prakash's peanut butter was the only peanut butter they had ever had. It was an exotic delicacy, because Indians don't eat peanut butter. One doesn't eat peanut butter in India.
Except at Rokeby. We ate a lot of Mr. Prakash's peanut butter at Rokeby. It was like manna to the Americans. It was served by John and Leela, two of the guesthouse's employees.
"And she wasn't just correcting, she was insisting! Insisting that he that he say her name the German way. He would say "MA-rrria" and she kept saying "NO! It's Ma-REE-a." But not even like that because I can't even say it the way she wants it said. And she's one to speak. She acts like her Hindi is so good, but it is awful, really awful."
I like how Indians say my name. Maria is a good name to have in India. It's easy to pronounce, even if it is pronounced with the accent on the first syallable, and there is a famous Bollywood song about a girl from Goa named Maria. The only part I know is the chorus:"Oh, Ma-ri-a! Oh, Ma-ri-a!" When I sing it to people, they are delighted. Sometimes they then ask me to sing an American song, and I usually launch into "Oklahoma!"
One of the missionaries at Rokeby was from Oklahoma. Her name was Tiffany and her last name was the same as mine. It was an odd coincidence --- a woman with my first name and a woman with my last name, the three of us ending up in this same little corner of India.
Maria, with my first name, was the manager of the Rokeby Guesthouse, which was owned by the Methodist Church. She didn't quite fit my picture of "German guesthouse manager" or "German evangelical missionary". She was a heavy woman, with black hair down to the middle of her back, who usually wore a garishly coloured salwaar kameez, and lots of turquoise jewelry, and a big black cowboy hat. She wore that hat all the time, even at the dinner table. She lived at Rokeby with her two extremely beautiful daughters, Christina and Sophia, and a quiet, sad-eyed husband named Sonam, who had been born in Mussoorie to a family of Tibetan refugees. She was matter-of-fact, blunt, more than a little intimidating, with a very loud voice. Whenever I made a joke, she looked me dead in the eye, paused for a few beats, guffawed out of nowhere, and then stopped abruptly. She seemed taken aback by her own laughter.
Tiffany, with my last name, had just graduated from bible college, and had come to India a few months previously with Marisa (from Virginia) and Rick (from Tenessee) to live in Delhi and "church-plant" --- a phrase I had never encountered before --- which meant, they were there to convert people and start churches. From what I could gather from the various missionary handbooks lying around Rokeby, they were going to go about this mainly by being very, very nice to Indians. In order to be able to be as nice as possible, they needed to speak Hindi, so they had come to Mussoorie, like I had come to Mussoorie, to study at the Landour Language School.
They weren't very happy in Mussoorie. They had been there for almost three months and they were bored. There wasn't much to do except study Hindi or take walks, and it had rained every single day since they had arrived. Maria ruled Rokeby with an iron fist, they were only allowed to watch a half hour of BBC World Service news each night on the TV in the common room, and they had to "secretly borrow" an extension cord so that they could watch DVDs on Rick's laptop in his room after Maria had gone to bed.
Every night, while I lay in bed reading, I could hear them watching DVDs and laughing. Their laughter was tempting. I could have gone and knocked on their door and said, can I watch? And they would have said, "Sure" with big smiles. They had tried to be friends with me, right from the start. But… were they just being nice? If I started to socialize with them sooner or later the Jesus talk would have to start, wouldn't it? So, I kept my distance. I just didn't feel up to it: lectures about faith, defending my lack of it, whatever conversation it was that would ensue. The long prayers before meals and the inspirational posters on the walls and all the religious books… that was more than enough.
And it wasn't just Rokeby. The whole area was filled with missionaries and churches. Koreans, Germans, Australians. Methodist, Anglican, Lutheran. Even the language school had been founded by missionaries, back in 1910. You couldn't throw a stone and not hit a Christian up here in --- wherever it was we were.
I wasn't sure where we were. We would talk about where we were as if we were in Mussoorie, but, actually, we weren't in Mussoorie. Mussoorie was a forty-five minute walk down the side of the mountain from Rokeby. Sisters Bazaar, where Mr. Prakash sold his peanut butter, was ten minutes walk further up the mountain and then a little place called Chardukan was right around the corner. Landour Cantonment was the gated army base between Chardukan and the near side of Sisters Bazaar and the language school was called the Landour Language School and it was just down the road, so I guess you could just say we were in Landour, but really Landour was quite a bit down the hill in the opposite direction, almost in Mussoorie. It used to be a separate village, but Mussoorie had sprawled.
In Mussoorie, it was a lot busier than wherever it was we were. We, the missionaries and the language students, sat up on our silent hilltop, peering down at the bustle below. What had been a favourite vacation spot for the British colonizers was now a favourite vacation spot for the Indian middle-class. Hotels lined the hilly streets, jostled each other, sat on top of one another. Honeymooners and weekenders from Delhi spent their days walking along the promenades, escaping the heat of the plains. They ate ice-cream and popcorn, filling their lungs with the crisp air and taking in the mountain view.
Though, during the monsoon season, you didn't get much of a mountain view. At first, when I had just arrived, the cool rain was such a relief after the heat of Delhi. But it just kept raining and raining and raining some more, and though Rokeby was much cosier and warmer and brighter than the Devdar Woods, Mr. Prakash's hotel --- even though Rokeby was the nicest of the guesthouses that the language students lived in, I was in the same boat as Tiffany and Marisa and Rick. It was cold and damp and grey and boring.
The weather settled in on me. I was weighted down, I was trapped, on edge, on guard, pointless, unmoored, foreign in a bad way. I cried all the time and felt overwhelmingly sad and whenever the rain stopped for an hour or two I went out on the verandah and stared at the wall of dark grey mist that completely obscured the valley. I tried to conjugate verbs in Hindi, but most of the time I gave up and just sat there, watching big grey monkeys chase little grey monkeys down the soaking, pine-tree and white-fence-lined twisting cobblestone road.
"Just awful. Awful, her Hindi is awful. Your accent is better than hers and you've only just started studying. She's lived here for twenty years!" Then Cathy caught herself. She had gotten carried away, strayed from the point, become a little mean. Though I couldn't blame her: Maria spoke to her like she was a slightly stupid child. The longterm residents at the Rokeby had very mixed feelings about Maria. The guesthouse was kept nicely and the food was very good and what with everything she had been through --- but she rubbed everyone the wrong way, and imposed illogical house rules, and yelled at both the servants and the guests.
"It's just her attitude. She's always right. That's what happened with Daniel and it is just a sin, the way she ignored what his teachers were saying. Everyone at his school knew there was a problem, and the principal came and spoke to her, but she just said, "No, not my Daniel" and decided the teachers were the ones who were wrong. But everyone knew he was running with a bad crowd."
Drugs were easy to find in Mussoorie. In the wooded lanes down the road from the Rokeby Guesthouse, deals were done at sunset as snowpeaks leaned over the tea stalls.
I knew this because my teachers at the language school told me. Some of them smoked a lot of pot, and they told me that if you wanted to buy some, you should go to Lal Tibba, a place where there was a beautiful vista of the mountains, and several tea stalls whose proprietors would be happy to oblige you.
And if you wanted more than pot, that could be done too. The taxi drivers down at the bus stand --- no problem.
"She just said that the principal was lying, was out to get Daniel, was out to get her and Sonam, didn't like Tibetans, or some hooey like that. Well, Daniel was very charming. Very handsome, very sweet. He had her wrapped around his finger. So young. Fourteen. A year before he had still been a little boy.
"It was just four months ago, on the last day of his freshman year in high school. After exams were over he went with some friends to a hotel in town and they rented a room to have a party. The other boys were taken to the hospital and had their stomachs pumped. He was dead when the ambulance got there.
"Maria bribed the coroner to have it listed as a heart attack."
Cathy paused. She drew a deep breath. "She bribed the coroner, and since that's what's written down, that's supposed to be a fact now. Daniel died of a heart attack. Nothing else. That's what she'll say if you ask her. That's what everyone is supposed to believe."
That's the impression I had gotten when I first arrived at the house. Her son had died, and he had died suddenly, tragically, of a medical condition. Maria hadn't told me this --- no one had told me this --- Cathy was the first person to mention it. But there was this homemade poster hanging on the wall in the entryway, with a photo of Daniel, and an inscription, and somehow the way the inscription was phrased, the way it spoke of God's decision to take Daniel --- it made me think this.
Though what was Maria supposed to do? Hang up a poster announcing that her only son had died of a drug overdose?
***
One day, on a rare, rainless afternoon, I wandered down through Mussoorie to the Savoy Hotel. It was a huge rambling place, falling into ruin, filled with echoes of the Raj --- elegant parties, important people, glamour, power. England.
It's still open, but people only stay there for the historical experience. The rooms have heavy curtains and heavy furniture, and incongruous TVs, and Raj era bathrooms, and mold. The grounds are overgrown, the plaster is crumbling. In the cavernous dining room a piano still sits in one corner, waiting to play a fox trot, and through the cracked window panes on the French doors, one can see the courtyard where cocktail parties were once held, decorated now with free-flying plastic bags instead of twinkling lights.
I feel my spirits lift a little at the Savoy. The endless possibilities of an abandoned place. I've always felt that ruins are some of the best places in the world. They are definitely the best places to play. Enough remains to create form and content, but there is enough decay to free you from reality, from the present. The world you create can be just as vivid as the real one --- perhaps more so --- but it can be anything you want it to be, you are anyone you want to be, and though tragedy will surely strike --- for what is a game of imagination without some tragedy, some high stakes, some intense emotion --- tragedy will strike with the sweet pleasure of the theatre.
I wish I was a child again, there in the Savoy. I'd get lost, I'd spend hours, perhaps I wouldn't come back.
***
***
Maria never knew her father. He left when she was a baby, left her and her mother in a one bedroom apartment in a highrise on the edge of a highway in a suburb of Hamburg. Her mother worked as a cashier in a supermarket. She was a heavy woman, with dull blonde hair and a life that had proved to be somewhat unfair and exceedingly boring.
Maria was thin and dark. Dark hair, dark skin, dark eyes. She knew she looked like her father; she had a photo of him: a thin, smiling man with a dark mustache and sunglasses. When Maria was six, her maternal grandmother came for her one and only visit, took a look around at the apartment and a look at Maria, and said to Maria's mother: "That good-for-nothing, dirty gypsy!" Maria's mother replied, "He wasn't a gypsy, he was Spanish." Her grandmother replied, "Same difference. You're pricing cans of dog food and looking after his --- " she paused and jerked her head in Maria's direction --- "and he's off in his caravan, wandering the world."
Beginning a pattern that was to continue throughout her life, young Maria took what she wanted from this exchange: Her father was a Spanish gypsy. Her father was a traveller. Her father was a wanderer, without a care in the world.
***
So I sat on the verandah and I read in my room and I walked in the rain and those first two weeks at Rokeby all I could think was:
Why am I here? What am I doing in India? I've run away again. I've got to stop doing this. I need to get on with my life. I need to… concentrate on my career, buy a house, have a baby, settle down. And why am I trying to learn Hindi? What a useless thing to do. Completely useless at home, and quasi-useless even here. This is my third trip to India and I've done fine without Hindi before.
No, no. I haven't run away. This is it --- this is life. My life. This isn't an escape. This is real, this is visceral, this is the honest to God, actual, most real part of my life. And this is productive, this is part of my career. How can I write if I don't go out and do things to write about, and in a month I'll be down in Bhopal working with the theatre troupe, and there it will be good to finally speak some Hindi, and I'll buy a house when I get home, and having a baby would be nice but isn't that jumping the gun a bit, and I don't think I ever want to settle down.
But still. If I'm here in India living my life to the fullest, why do I feel this way? Maybe it's just Rokeby. Maybe that's what the problem is. I'll give it the rest of the week. If something doesn't clear, I'm heading down to Rishikesh. Things will be better there.
I began to check bus schedules, plot my escape.
***
But then, the rain stopped. The sun broke out over the mountains. And Matri Prasad arrived.
Matri Prasad had travelled long and travelled hard. He turns up in Mussoorie one Saturday afternoon, grey beard and grey hair, wearing a white kurta top and white lunghi bottom, carrying an orange cloth bag holding all his possessions, with prayer beads wrapped around his wrist and a small black umbrella with a pink plastic handle under one arm. On his feet are Birkenstocks.
Matri Prasad has a gentle voice, with a slight Texan accent. He has come to Mussorrie to learn Hindi. It is important for him to learn Hindi, since he had moved permanently to India the year before, to live out the rest of his days in an ashram and no one spoke English at the ashram. He had thought he'd learn Hindi pretty quickly, living in an all-Hindi environment, but he soon realized that he had absolutely no aptitude for foreign languages, and that he would need to seek some professional help.
He decides to stay at Rokeby. He had been warned about the Christian missionaries, but Maria gives him a good rate, and a quiet room with a separate entrance, and permission to meditate in the garden in the mornings and evenings, and repects his special diet. He leaves a note tacked up on the dining room bulletin board explaining it: fruit and milk in the morning and evening, vegetarian at lunch. He signs it, "Matri Prasad, American monk."
Yes, before reaching Rokeby, Matri Prasad had travelled long and travelled hard. When the summer heat reached a peak at the ashram in May, he set off for the hills. He tromped the Himalayas in his Birkenstocks, visiting power places and pilgramage places. Up up, high, high, on top a glacial mountain near the source of the Ganges, he took a ritual dip in the holy river, and was so chilled he couldn't get out, and was rescued by a fellow holy man, a sadhu who had spent so many years up in the mountains that the cold no longer bothered him. The man dragged Matri Prasad out of the river, and took him back to his cave, where he warmed him by a fire, and fed him some fruit and milk, and they sat in silent and language-less communion. They sat for days, until Matri Prasad finally decided it was time to move on.
Yes, Matri Prasad had travelled long and travelled hard. In 1968 he had left the suburbs of Dallas for California. Did he leave for college or just for fun? For enlightenment? He's forgotten at this point --- it was so long ago. Another life. When he left Texas, he was still Paul Franklin Washburn. In California, he became Matri Prasad. He found a guru whose name was Ma. He joined her ashram near San Diego and in 1971 went to India to her ashram there. He loved her dearly; he carried her framed picture in his cloth bag; Ma had left her body in 1982.
In 1972, after a year in India, he went back to the ashram near San Diego. And there he stayed. And stayed. And stayed. There was much chanting. There was much fruit and milk. For thirty years he stayed there, until he decided to go back to India, back to Ma's ashram. For good. For permanent.
He moved to Omkareshwar, smack-dab in the middle of India. In the middle of nowhere. In Omkareshwar, Matri Prasad teaches English in the charitable school run by Ma's foundation. Each morning, he gathers the poor children of Omkareshwar around a big photo of Ma, and they sing hymns, and then he talks to the children in English about Ma. He doesn't feel he is doing a very good job with his classes, having had little experience with children and no experience teaching English, and he knows so little Hindi, and has no textbooks or paper or pens. It makes him happy to hear the children sing, but the experience overall is frustrating.
In the dust of Central India, Matri Prasad struggles with his ego.
In the snow of the Himalayas, Matri Prasad struggles with his body.
In the crisp cleanliness of Rokeby, Matri Prasad struggles no more. He rises at 4 and meditates in the garden, sitting on a stone bench, overlooking the lights of the Dun Valley. At seven, Leela brings him fruit and milk in his room. He studies his Hindi, goes to class and talks about Hinduism with the teachers during his tutoring session. He returns to Rokeby for lunch. The dining room is sunny, and filled with nice people who speak English. After they read from the Bible, and thank Jesus, and say their prayers, they wait for him to he say his: under his breath, a momentary muttering of Sanskrit, and a sprinkling of water around his plate. Then lunch begins. The food is always good and he eats a lot of it, sheepishly explaining how he gets really hungry by lunchtime, what with just eating fruit and milk for breakfast and dinner.
After lunch, he studies more, or goes for a walk along the clean roads, looking out at the tall pines, the distant snow-peaks. And then more fruit and milk. And then more meditation in the garden. Then sleep.
It is heaven. A balance has been struck.
With Maria, he feels he has met a strange kind of soulmate. Perhaps she feels it as well? They are close in age, and have taken similar paths, in an odd way. In California in 1968, he could have become a Jesus freak. And she could just as well have become a hippy Hindu in an ashram, as opposed to a hippy Christian in a mission, couldn't she?
***
"A gypsy. A Spanish gypsy." She kept this as a secret, as a jewel, and as she grew older, she never stopped to reconsider whether or not it was actually true. Maria's mother never spoke about her father, and Maria never mentioned this secret to her mother. Maria never mentioned it at all, until, as a teenager, she started winning ballroom dancing competitions and then she began to occasionally toss off statements like "It must be my gypsy blood." The other dancers could never tell if she was telling the truth, and, truth be told, she couldn't tell, either.
It was 1971. Maria was sixteen, olive skinned, with dark flashing eyes and long dark hair and a good figure. Her speciality was the tango and she had either won or come in second in all the local amateur competitions. People were starting to talk, to suggest that she could turn pro. She was going to the national amateur championships in Frankfurt, and if she did win --- travel, glamour, glory. When she thought about it, the image in her mind of a future like her mother's --- the image in her mind of the supermarket checkout line --- dissolved.
Then, just a week and a half before the nationals, Maria broke her ankle when the heel popped off her tango shoes. It was a bad break. She didn't go to nationals. She spent three months in a cast. She realized that though she might dance again, she would never go pro.
She lay on the living room sofa with her leg elevated, while her mother fed her bitter consolation and semi-sweet chocolate. She started to lose that ballroom dancing figure and wondered if her mother's words were true. Was it better to be disappointed now than later? Better to face reality instead of following her dreams? Perhaps being a fat supermarket employee was her true fate, just now catching up with her after a short and glamourous detour? How far can you run from Fate, from that long arm of Fate, before it snatches you up? Was there no Gypsy blood, was she now becoming the person who she was really supposed to be?
After months of mulling this over, after reaching a point where she was about to give in, she finally got the cast off. And on that day, she would later recount, the long arm of Fate was thrown off-track by the hand of God.
She met a Christian hippie at the doctor's office. They struck up a conversation in the waiting room. He was really nice, and told her that she had not lost her only chance, told her that there was more --- more to their lives, more to the world. There were endless possibilities, you could find endless possibilities in the love of Christ.
He invited her to a fellowship potluck later that week. She went, she liked it, she went again. She loved it, she went again. And again. And again. She saw the possibilities, she joined the club, joined the commune, joined salvation, and, six months later, she joined a caravan to a mission in the Holy Land.
***
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